b. 1982

Biographie

Born in Antigonish, Nova Scotia, Sara Peters studied at Boston University and was a Stegner Fellow in poetry at Stanford University. Her work has been published in The Walrus and Poetry, among many other literary magazines and journals, and her first book, 1996, was met with critical acclaim. She currently lives in Toronto.

Entrevue

Lisiez-vous de la poésie quand vous étiez à l'école ? Y a-t-il un poème en particulier dont vous vous souvenez ?

Yes! I read poetry constantly. The poem I remember best is “The Lady of Shalott” by Tennyson, mainly because I’d subject my poor friends and family to impromptu, fever-pitch recitations of it.

Quand avez-vous commencé à écrire de la poésie ? Et quand avez-vous commencé à vous considérer poète ?

I started writing poetry when I was 5. But I don’t think I’ll ever be able to think of myself as a poet — I’ve always felt squeamish about the word. I think of myself as “someone who writes poetry,” which is such an awkward phrase, I know.   

Comment voyez-vous le « travail » des poètes ?

I don’t believe that the expectations we put on poets should be any different from the expectations we put on human beings, in general. I think it’s a poet’s job to be kind, empathetic, and giving.

Si vous avez un poème dans notre anthologie, qu’est-ce qui vous a inspiré lors de son écriture ?

[“You'd Have to Pay Me Could You Pay Me Enough”] was the second last poem I wrote for my book. I was thinking about a nameless group of people being held hostage. I was also imagining a powerfully manipulative female leader.  

Si vous deviez choisir un poème à mémoriser dans notre anthologie, lequel serait-ce ?

I would choose Hopkins’ “Spring,” but I would only memorize the (perfect) first line. I am terrible at memorizing things so I always need to start small!

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